I found Advanced IP Scanner offers an easy to use tool with a user-friendly GUI, though lacking some advanced functionality you find in some other scanners. You can also save desired IPs to a favorite’s list for easy access/management. Like other scanners you can launch detected shares and services, easily run ping, tracert, telnet and SSH, remotely shut down PCs, and perform WoL. You can export main scanning results to XML, HTML or CSV. Though you can’t select the exact scanning type or ports, it scans for the popular ones, including HTTP, HTTPS, FTP, RDP and shared folders. You can enter IPs and multiple ranges to scan into a text field, with the ability to automatically insert detected subnets of the machines connections or the subnet of class C. The scanner can be installed or ran portable but requires clicking through the license agreement each time. ![]() Advanced IP ScannerĪdvanced IP Scanner is a free Windows-based IP, port, and NetBIOS scanner from Radmin, which offers a commercial remote support solution. ![]() Some scanners provide additional functionality as well, including scanning for DHCP servers and UPnP devices and offer the ability to remotely shutdown/startup PCs and retrieve system stats. They also provide shortcuts to open or connect to the shared resources, such as shared folders, web servers, and SSH servers. They probe the network and provide at least the basic details of connected clients, including IPs, MACs, NetBIOS (computer) name, NIC manufacturer, and open ports or shared resources. Network or IP scanners are useful during network management, auditing, documenting, and troubleshooting.
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![]() Hilton Honors may attempt, but is not required, to send correspondence to active Members to advise them of matters of interest, including notification of Point forfeiture or Program changes. Further, Members who fail to pay amounts due to Hilton Grand Vacations® are subject to forfeiture of any Elite tier status earned through Hilton Grand Vacations®.Įach Member is responsible for remaining knowledgeable as to the Program Terms and Conditions and as to the number of Points in his or her account. Members who fail to pay mortgage related payments properly due and owed to Hilton Grand Vacations®, including but not limited to principal payments, interest payments, late fees, and service fees are subject to forfeiture of Points equal to the amount of Points accumulated in connection with Hilton Grand Vacations®. This applies to any year of enrollment, including without limitation, the first year of enrollment. Any Reward redeemed by the Member before the Points are forfeited (such as a hotel reservation made or a car rental voucher obtained) is still valid. Once the Points have been forfeited, the Member may not retrieve any forfeited Points but Member may begin to earn Points again thereafter. Hilton Honors also reserves the right to discontinue membership for any Member who Hilton Honors believes, or if there are reasonable grounds for suspecting, in its sole discretion, has: acted in a manner inconsistent with applicable local or federal laws, regulations or ordinances breached or violated any of these Program Terms and Conditions engaged in any fraudulent or dishonest behavior, theft, misconduct or wrongdoing in connection with the account, including without limitation, involving Reward redemption or Certificate use, or other Member benefits engaged in any abusive, fraudulent, disruptive, inappropriate, offensive or hostile conduct, whether it be physical, verbal or written in nature, towards any hotel within the Hilton Portfolio or their guests or employees, or towards Hilton or any of its employees or contractors, or failed to pay any bills or accounts due to Hilton or any hotel within the Hilton Portfolio.įailure to take action (a), (b), (c) or (d) described above will result in the forfeiture of all accumulated Points and, after five years of inactivity, to deactivation of the Member's account. Hilton Honors reserves the right to suspend or discontinue Hilton Honors membership, including any Elite Tier status (including Silver Elite Member, Gold Elite Member, and Diamond Elite Member status), for any Member who appears to be using the Program in a manner inconsistent with the Terms and Conditions or intent of the Program or any portion of the Program, including, but not limited to, Reward redemption or Certificate use. ![]() Fox in interviews and he does appear the same way in the interviews as he does in this commercial," Limbaugh said, according to a transcript on his Web site. "Now people are telling me they have seen Michael J. Limbaugh also renewed attacks on Fox and said that the actor was "allowing his illness to be exploited" and was "shilling for a Democratic politician."Īfter his apology, Limbaugh shifted his ground and renewed his attack on Fox. While Limbaugh initially apologized, he would later say on his show that he never made fun of Fox and that this controversy was created by the "drive-by" media. 'I will bigly, hugely admit that I was wrong.'" The Guardian reported: "Hours later the talkshow host was forced to retract. The segment stirred considerable controversy at the time and even drew an apology from Limbaugh. Limbaugh was commenting on this advertisement in the above-displayed clip. ![]() Claire McCaskill and her support of stem cell research: In 2006, he filmed a 30-second ad for former Democratic U.S. Keaton on the show "Family Ties" and the time-traveling high school student Marty McFly in the "Back to the Future" series, was diagnosed with Parkinson's disease in 1991. Either he didn't take his medication or he's acting.įox, who is probably best known for playing young conservative Alex P. But his head and shoulders are moving all over the place. And he can control himself enough to keep his eyes right on the lens, the teleprompter. He can control himself to keep himself in the frame of the picture. Fox portray any of the symptoms of the disease he has. This is the only time I've ever seen Michael J. He is moving all around and shaking and it's purely an act. In this commercial he is exaggerating the effects of the disease. Here's a partial transcript of the segment: 23, 2006, episode of Limbaugh's radio show. Media Matters archived the full audio of this segment, which originally aired during an Oct. This is a genuine clip of Limbaugh describing Fox on his program. ![]() Check the functionality of buttons available on all pages.Ģ9. Check the number of fields with decimal number values.Ģ8. Check for negative numbers if allowed for numeric fields.Ģ7. ![]() A proper validation message should appear.Ģ6. Check numeric input fields with character input values. Check the text on all pages for spelling and grammatical errors.Ģ5. Application crashes or unavailable pages should be redirected to the error page.Ģ4. Validate markups for all web pages (validate HTML and CSS for syntax errors) to make sure they are compliant with the standards.Ģ3. Standard conventions should be followed throughout for naming resource keys.Ģ2. All resource keys should be configurable in config files or databases instead of hard coding.Ģ1. Check if the downloadable files are pointing to the correct file path.Ģ0. Check the cookies used in the application.ġ9. Check application behavior after the operation timeout.ġ8. Check page sorting functionality after add/edit/delete operations on any record.ġ7. Field labels should be standard e.g., the field accepting the user’s first name should be labeled properly as ‘First Name’.ġ6. Check all input fields for special characters.ġ5. Input values greater than the specified max limit should not be accepted or stored in the database.ġ4. Input fields should be checked for the max field value. All numeric values should be formatted properly.ġ3. Reset button functionality should set default values for all fields.ġ2. Default page sorting should be provided.ġ1. Amount values should be displayed with the correct currency symbols.ġ0. Select/deselect all records option should be provided if page supports record add/delete/update functionalityĩ. ‘Delete functionality’ for any record on the page should ask for a confirmation.Ĩ. Drop-down fields should have the first entry as blank or text like “Select”.ħ. General confirmation messages should be displayed using CSS style other than error message style ( For Example, using green color)Ħ. All error messages should be displayed in the same CSS style ( For Example, using red color)Ĥ. Validation error messages should be displayed properly and in the correct position.ģ. All mandatory fields should be validated and indicated by an asterisk (*) symbol.Ģ. Various search filter criteria and display resultsġ.The application interacts with the database. ![]()
![]() Our Facebook group is a beautiful, intimate space where you can bring your worries and challenges, your triumphs and your questions, always knowing you will be seen and heard. Honestly, this tutorial alone has cracked the picture book code for countless creators.) Includes three in-depth video tutorials covering:ģ Story Lab (This unique video tutorial is often praised as the BEST thing any picture book author could encounter. The Scribbles Creative Writing course: Six video tutorials and a heap of downloadable PDFs, designed to get you writing, keep you writing and chip away stale, out of date learning, pesky fears and weird assumptions that might be holding you back and impacting negatively on your writing and creativity.The Scribbles Pledge (you have to sign it and commit to it!) NB Some people go out to dinner to do this.It’s not a cookie cutter course you could get anywhere online, IRL or in a textbook.It’s not a six week course that abruptly ends and leaves you back at square one.You’ll fall in love when you join.Įverything in the Scribbles Academy, all the video tutorials, exercises, written support materials and live calls, are designed to guide you, empower you, inspire you and, above all, ensure that you grow, flourish and succeed as a writer of children’s books (aka kidlit). Since starting Scribbles, I’ve actually had publishers tell me that the standard of submissions has improved out of sight! Long answer: It’s an acclaimed, dramatically different online space where creative writers and illustrators come together to learn, connect and set themselves free of stagnant old patterns that are getting in the way of their self-expression. Short answer: It’s a unique online Creative Writing Academy packed with tutorials, exercises, downloadable material all designed empower you and bring out the BEST writer in you! Good writing changes lives-for the better.īut what is the Scribbles Academy? No, really. Let’s give your stories and your writing the BEST chance of being published, loved, shared and applauded. Together, let’s unlock your potential and help you move ahead. Unleash your creativity in ways that will give you a whole new perspective on writing and on life. Sign up for the Scribbles Academy and follow your heart. The Scribbles Academy can help you do that. That’s why you MUST take responsibility for the quality of your work. Often the work submitted to publishers is sooo close to good/saleable/publishable.īut, sadly, most times it’s not close enough.Īnd these days, publishers don’t have much time to develop new talent. PLEASE NOTE: The Scribbles Academy was only open ONCE this year, Feb 2021. I help you gain experience so you can create and assess your work with more confidence and skill.I help you develop your unique creativity.In the Scribbles Academy I help you access your talent wholeheartedly without holding back.The good news is all these problems can be fixed! That’s why I created the Scribbles Academy!Īs an editor and mentor, it was obvious to me that something was missing in people’s education and in their understanding of creative writing. Sometimes it’s just bad luck and market forces. I’ve been in this industry for decades and I’ve seen more manuscripts than you can poke a stick at… I know why most manuscripts get rejected. How can you improve your work when you don’t know what’s wrong with it?.Maybe you’re fed up with rejections and publishers whose only feedback is ‘no thanks’.This madness! And I understand how overwhelming it is. I know the agony and ecstasy of this process. I know what it takes to write quirky, huggable, award-winning books. With the Danny Best team at the launch of book two in the series. Some places where my work has been featured. I’ve worked with the best publishers in the world, HarperCollins and Penguin/Random House. Prepare your work for publishing (if that’s your dream!)įor all updates please CLICK HERE to join our mailing list.Īnd I’ve worked on both sides of the fence - as an editor and as a critically acclaimed, commercially successful author.MASSIVELY improve your writing (like, I’m talkin’ MASSIVELY!).Build your confidence (both personal and creative).Learn to spot opportunities and create your own ‘luck’.Become familiar with publishing standards, protocols and jargon.Get your work under the noses of professionals.Learn to craft your ideas into meaningful stories.I’ll also hold space and guide you while you: I’ll show you how to unlock your potential and become a happier, more productive writer. When you become a member of the Scribbles Academy, I’ll do the same for you. Not only that, I’ve been sharing my knowledge (and unconventional methods) with thousands of people for years and I’m an excellent teacher. Hello! I’m Jen Storer and I’ve written heaps of books for kids - way too many to hold in my hands! ![]() The movement was made of iron or steel and held together with tapered pins and wedges, until screws began to be used after 1550. The face was not covered with glass, but usually had a hinged brass cover, often decoratively pierced with grillwork so the time could be read without opening. They were heavy drum shaped brass cylinders several inches in diameter, engraved and ornamented. These 'clock-watches' were fastened to clothing or worn on a chain around the neck. The first timepieces to be worn, made in 16th-century Europe, were transitional in size between clocks and watches. Early watches only had an hour hand, the minute hand appearing in the late 17th century. Thereafter, pocket watch manufacture spread throughout the rest of Europe as the 16th century progressed. Peter Henlein, a master locksmith of Nuremberg, was regularly manufacturing pocket watches by 1526. By the end of the 15th century, spring-driven clocks appeared in Italy, and in Germany. Also common are fasteners designed to be put through a buttonhole and worn in a jacket or waistcoat, this sort being frequently associated with and named after train conductors.Īn early reference to the pocket watch is in a letter in November 1462 from the Italian clockmaker Bartholomew Manfredi to the Marchese di Mantova Federico Gonzaga, where he offers him a "pocket clock" better than that belonging to the Duke of Modena. Ostensibly practical gadgets such as a watch winding key, vesta case, or a cigar cutter also appeared on watch chains, although usually in an overly decorated style. Chains were frequently decorated with a silver or enamel pendant, often carrying the arms of some club or society, which by association also became known as a fob. Women's watches were normally of this form, with a watch fob that was more decorative than protective. This fob could also provide a protective flap over their face and crystal. Watches were also mounted on a short leather strap or fob, when a long chain would have been cumbersome or likely to catch on things. Pocket watches generally have an attached chain to allow them to be secured to a waistcoat, lapel, or belt loop, and to prevent them from being dropped. They were the most common type of watch from their development in the 16th century until wristwatches became popular after World War I during which a transitional design, trench watches, were used by the military. Video was taken with 10 X-ray images per second.Ī pocket watch (or pocketwatch) is a watch that is made to be carried in a pocket, as opposed to a wristwatch, which is strapped to the wrist. X-ray video of a pocket stopwatch with a clear visible mechanics of the watch. Depending which programs are loaded on to your computer you can have the option of loading media from Photos or iTunes. Here is where you can select where you would like to pull your media from. Upon opening your new project the first thing that will be under the curser will be the Event Media Side Bar. This will present itself when you create more than one project at a time. Upon At this time you do not have the option to name your project. Once the curser is on the browser use the keys Command+N to open a new project. If If the browser is not announced go back to the tool bar and press on the Projects button again. VoiceOver should will announce the project browser if present. You can confirm this by using the keys Function+VO=Right arrow to go to the bottom of the screen. Now you have successfully opened the projects window even though VoiceOver did not announce it. Select this option with VO+Space bar and then navigate away from the tool bar with the keys Shift+VO+Up arrow. VoiceOver should announce, “Tool Bar.” Now use the keys Shift+VO+Down arrow to interact with the tool bar and the first button you will hear is the Projects button. Use the key command, Function+VO+left arrow to go to the top of the window. To start a new project you must first interact with the tool bar. Here is where you can open saved projects or create new projects. ![]() When you first open I-movie and get through all of the tutorial windows you are presented with a screen with a few basic functions to get you started. From this point forward I will refer to the Option and Control keys on the keyboard as the VO keys or “VO” for short when ever they are to be used in conjunction with each other. Users who are using earlier versions of the program will have different results though some information in this article could be useful. This guide pertains to iMovie version 10.1.10 running on MacOS Mojave 10.14.1. It is highly recommended that key commands for Apple’s VoiceOver have been well practiced. The task of making an I-movie production will most likely require some form of trouble shooting as some systems have minor changes in the ways that the program reacts. ![]() Special thanks to Claudia Malacrida, Alan Martino, Vicky Levack, Shoshana Forester Smith, Erika Dyck and the Eugenics Archives, the wonderful creators and narrators of the freedom tour. Audio post-production and sound design were by Helena Krobath, and our theme music was composed by Bara Hladik. Additional narration by Helena Krobath and Alex Johnston. This episode was advised by the Joint Task Force on Deinstitutionalization. Audio recording by Megan Linton with production assistance provided by Kendal David. Invisible Institutions was created by me, Megan Linton, with support from People First of Canada & Inclusion Canada’s Joint Task Force on Deinstitutionalization. Guardianship is an ongoing piece of this legacy alongside institutionalizationĮugenics Archives by Erika Dyck Episode Credits ![]() Kelly Egan documented the restrictions by Ontario’s guardian on one woman’s right to marry. Michael Desjardins’ look into sterilization practices of people labelled with I/DD, demonstrated ongoing examples of this violent practice.Īnd sterilization is just one part of this. As recent as 2019, Indigenous women have reported instances of coerced sterilization. Involuntary sterilization is no longer legal, but that doesn’t mean its’ over. Today, the Centre functions as a bunch of different group homes. Claudia Malacrida, A Special Hell is a devastating look into the conditions and sterilizations at the Michener Centre. I am eternally grateful for the amazing work of Dr. īut better than listening to him, our Harbinger Media friends, over at the Alberta Advantage do an amazing unpacking of Social Credit Monetary Theory. You can hear him in this episode, courtesy of Aberhart Foundation archive footage (publicly accessible) found here. The Social Credit Party was lead by Bible Bill Aberhart. You can learn more about eugenics via The Eugenic Archives and Eugenics, Newgenics.Įugenics in Alberta were mobilized by both white supremacist “feminists” like Nelly McClung and the Social Credit Party. ![]() Eugenics ideology and policy sought to control the ability for women labelled with intellectual/developmental disabilities to have a parent children, through forced sterilization, guardianship and institutionalization.įrancis Galton coined the term eugenics, which he defined as “”the science of improving stock-not only by judicious mating, but whatever tends to give the more suitable races or strains of blood a better chance of prevailing over the less suitable than they otherwise would have had”. That later part, about the right to have and parent children is really important in context of this episode. They define it as “the human right to maintain personal bodily autonomy, have children, not have children, and parent the children we have in safe and sustainable communities.” Reproductive Justice was coined by Sistersong, a collection of Black, Indigenous and trans* people. More than 2,000 people labelled with intellectual disabilities were subject to involuntarily sexual sterilization during Alberta’s eugenics years & the fight is far from over. Reproductive justice means a lot more than abortion access. Leonard Jan Le Vann Claudia Malacrida’s A Special Hell Aerial Shot of the Michener Centre Movie Poster for the Sterilization of Leilani Muir Show Notes Archival photo of the Michener Centre Medical Superintendent of the Michener Centre, phoney Dr. Read the episode transcript below or by clicking on this link. Alan Santinele Martino & institutional survivors. And today, access to sexual and reproductive rights for people with intellectual/developmental disabilities continues to be compromised by both ableism and institutionalization.įeaturing Dr. More than 2,834 people in the Alberta were subject to involuntary sexual sterilization surgery, but experts say this is just the tip of the iceberg. For fifty years, Alberta’s Sexual Sterilization Act (1928), made it legal to sterilize people labelled with intellectual disabilities without their consent. Throughout Canadian history provincial governments have worked to control the sexuality and reproduction of people with intellectual/developmental disabilities. ![]() The very similar Longform and Longreads both started significantly later than Give Me Something To Read but always got a lot more attention, with Longreads fueled especially by its active Twitter presence. Marco Arment observed about The Feature (formerly known as Give Me Something to Read): The articles are still hand-picked, and they are featured in Instapaper's website as The Feature, and in the iOS app as The Feature section. On March 22, 2012, Give Me Something to Read was renamed The Feature. As of March 2011, Dunlop-Walters was Instapaper's only employee besides Arment. On July 27, 2009, Arment hired Richard Dunlop-Walters as a part-time contractor to take over as editor. Marco Arment was the editor for the site's first year. Unlike a conventional social news website, which carries stories posted automatically by popularity, Give Me Something to Read is human-edited. On June 1, 2008, Instapaper launched Give Me Something to Read, a standalone website that featured a few high-quality, longform, nonfiction articles every day from Instapaper's most frequently saved articles. Manually sending individual articles, or digests of recent articles, from the Instapaper app is currently a Subscriber feature. The Kindle feature alone is used by over 60,000 Kindle owners as of late 2011. The Instapaper for Android was built by development shop Mobelux in 2012 and supports Android phones and tablets.Īn automatic send-to- Kindle feature was added on March 8, 2009. The Instapaper iPad app launched with the iPad itself on April 3, 2010. Later in 2011, the redesigned 4.0 app added full-text search of all saved articles for customers with the optional $1/month subscription. On March 10, 2011, with the launch of the 3.0 app, Instapaper added social sharing and browsing features. Instapaper's paid app, then called Instapaper Pro, launched shortly afterward on Augand introduced tilt scrolling, which automatically scrolls a column of text when the device is tilted slightly up or down. Instapaper's free iPhone app (removed from the App Store on Ma) with offline reading was one of the first apps in the App Store on July 12, 2008. These features became free for all users on November 1, 2016. Later, the app became a free service, but with certain features exclusive to a "Pro" version of the app, and later an "Instapaper Premium" subscription, such as ad-free browsing, full-text search, and voice dictation on supported platforms. ![]() Instapaper was initially distributed as a paid app. Every article is automatically reformatted to remove excessive formatting and graphics. Within a web browser, a "Read Later" bookmarklet can be used to save pages to a user's personal unread queue on Instapaper. Instapaper can be used via a web-based interface, or through mobile apps for Android and iOS. On May 23, 2018, Instapaper announced that it had suspended its services for residents of the European Union in order to address compliance with General Data Protection Regulation (GDPR) requirements. On November 1, 2016, Instapaper announced that it would discontinue its subscription model and offer its "Premium" features to all users. The service continued to operate, and the Instapaper staff worked on development for both Instapaper and Pinterest. On August 23, 2016, Instapaper was acquired by social networking service Pinterest. Afterward, the service's web interface was redesigned. In April 2013, Arment sold a majority stake in Instapaper to Betaworks. When Marco Arment launched the service publicly on January 28, 2008, its simplicity rapidly earned accolades from the press, including Daring Fireball and TechCrunch. Read offline, even on airplanes, subways, on elevators, or on Wi-Fi-only devices away from Internet connections.Instapaper started out as a simple web service in late 2007 with a "Read Later" bookmarklet and stripped-down "Text" view for articles. Instapaper for Android provides a mobile and tablet-optimized Text view that makes reading Internet content a clean and uncluttered experience. Instapaper is the simplest way to save and store articles for reading: offline, on-the-go, anytime, anywhere, perfectly formatted. I’d like to get back to using music though and I’m mulling getting a nice Bluetooth speaker. My use of music has declined over the last two years or so, partly because we’re not playing at my house (and thus, in my game room) as often and partly because even if we were in my game room, my speakers broke. Originally I purchased each of the albums - and still do if it’s something I really enjoy - but I’ve also been leveraging Spotify for my playlists. In recent years we’ve added in The Hobbit as well the occasionally thematically appropriate superhero movie sound track ( Batman Begins, Thor, Guardians fo the Galaxy, etc.). For years our tried and true soundtracks were Conan the Barbarian, the Dungeons & Dragons soundtrack (the game one by Midnight Syndicate, not the movie one), and the Lord of the Rings movie soundtracks. I’ve frequently used music with Dungeons & Dragons as well. They were thematically familiar enough to fit the game without being instantly recognizable (and tired). My solution was to reach for lesser known Star Wars music like that from the Clone Wars television series or the soundtracks for the various video games. The biggest challenge was familiarity - what was true for me was also true for the rest of the group. I used soundtracks most heavily during our Star Wars campaign because there was so much source material to pull from and I knew it well enough to pick just the right mix of music for a session. If I want a stand out track for a particular battle, I’ll create a playlist just for that and switch away from the general playlist at the appropriate time. Instead I let it flow organically, and try to avoid having anyone one track stand out against the others. ![]() It does highlight a key aspect of using music in your game, which is this: you need to think about it and put at least some effort into executing it well (particularly if you want to key specific music to particular themes).įor my part, I like to create music that serves as a good background to the events that I expect to happen during a given session, but I don’t usually sync up the music and the action. Thankfully that last option hasn’t happened to me during an RPG (once or twice during board game nights, but that’s a different story). Done poorly, it distracts from the game as people grumble about the incongruity of the music and the game being played. Done so-so, it still adds to the game, but ends up serving as little more than pleasant background noise. Done well, music enhances immersion in the game and kicks engagement into a higher gear. These are the top The Syndicate Project videos according to you, so if we're missing a good The Syndicate Project vid then feel free to add it to the list.For many years I lovingly crafted soundtracks for my sessions, occasionally even adding sound effects. Find out why the Syndicate Project is one of the most popular channels on YouTube by checking out some of the great videos on this list.This list of the best Syndicate Project YouTube videos includes not only his older stuff, but some of the newest videos that just came out on the The Syndicate Project YouTube channel as well. The popular Adventure series and Syndicates Shenanigans find Cassell enjoying time with family and friends. The Syndicate Project's YouTube channel isn't only for gamers. With over 8-million subscribers, TheSyndicateProject channel has become one of the most-viewed channels on YouTube. ![]() ![]() Games like Halo, Call of Duty and Minecraft are regularly featured on this great gaming channel. ![]() The fantastic let's play videos posted on TheSyndicateProject's YouTube channel have made Tom Cassell a YouTube celebrity. The best videos on the YouTube channel The Syndicate Project, ranked by fans and updated regularly. |
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